Welcome to WordPress. This is your first post. Edit or delete it, then start writing!
Uncategorized
And Now For Something Completely Different…
…a new web site!
It’s not, you know, completely new. But as 2020 dragged on to its ninety-eighth year and my Battle Ring Earth space opera series slated for a drop in early 2021, I was starting to feel like a bored teenage with a bottle of hair dye…I needed a new place to put my stuff. I had all the parts I just didn’t know how to put them together in a way that would stand out.
Enter the guys at Mod Farm Design. The result is as you see. Look at this thing. Look at it! New links, new graphics, new forms, and everything works. I’m especially happy with the sample frames for the books on sale: try before you buy a la digital pub.
Anyway, I’m learning all the new gear myself, so I’ll get back to that. Click around the offerings while you wait…
And Now: A Sci-Fi Bridge Summer Giveaway!
Heinlein said there’s no such thing as a free lunch but there can be free books. And the folks at Sci-Fi Bridge are offering you a chance to grab 30+ of them!
All you have to do is sign up to Sci-Fi Bridge for a chance to win 30+ Sci-Fi eBooks. All who enter will also receive 5 eBooks completely free. In addition:
- 5 Winners will receive a collection of 30+ Sci-Fi eBooks.
- 1 Grand Prize Winner will receive the eBooks along with a $100 Amazon Gift Card.
Prizes will be awarded after August 31, when the giveaway ends. Click on this link and subscribe now!
NYC Expocalypse, Book 2: Greenstreets, Arrives!
The story of ex-phone jock and current metaphysical warrior Julie Meyers continues, available on Amazon…
Julie Meyers is having a bad week. After defeating the Broadway Bull the former Hungry Corp. sales jock thought that fleeing New York City on a borrowed yacht with a few allies would be a quick path to freedom. Just head north on the Hudson River and leave the end of the world behind. But the Hungries neither forgive nor forget and Julie is still in their cross hairs.
Faced with an evil she can’t truly comprehend much less combat, all she wants now is to get home to her terminally ill mother and find some peace before the world ends.
Roving hordes of Slicers, opportunistic survivalists, and Black Hand soldiers stand in her way while a new player, hand-picked by Anatole Hunger, is gathering his power to wipe her off the board for good.
Now she must lead a ragtag band of fugitives—surviving co-workers, a wounded sea captain, a rogue NYPD detective, a fifth-grade gymnastics class and their helicopter parents—through the streets of New York City to safety.
If she fails, not only will she and her charges die, but the soul of the city she calls home will be lost forever…
Introducing Warrior’s Tribute: A LitRPG Gives Back Anthology
This collection of 12 short LitRPG / Gamelit / Wuxia stories came about as a labor of love and a desire to give back to those who serve and protect us all in the armed forces. Each of these stories is an original crafted by some of the best authors in the LitRPG / Gamelit community in response to the prompt “Stories of Sacrifice”. We all wanted to pay homage to those who’ve sacrificed for all of us.
All of the funds from this anthology go directly to the Wounded Warrior Project as part of our “LitRPG Gives Back” campaign. We hope you enjoy these stories just as much as we enjoyed writing them. Here is a short description of each of the stories.
The Eternity Stone
A level 1 cultivator has the opportunity to change the fortune of his entire clan and gain Imperial favor, or trade it all for an unexpected opportunity no one knew existed.
Last Stand
One knight and his squire take a stand as their kingdom begins to crumble, protecting refugees from those who have betrayed their sacred duty.
FOB’s, Fobbits, and Fear
In a changed world, a routine patrol in Afghanistan will bring a combat medic and his unit up against a creature from myth and nightmare.
Siren
Using the power of music, Lyra finds an unusual way to contribute to her team’s victory.
One More Day
Being a father is never easy. Serving, while being a father can lead to the impossible, when all you need is one more day…
Drunken Initiative
Friends, beer, phones, and an excellent roll of the dice.
Guardian of the Wild
Have you ever tried to please the demands of a Dwarven smithmaster? I certainly haven’t been able to. Join me on the day when this axe girl ran away from her duties, finding something deeper and more powerful than any forge fire can produce.
Persistent Request
Two champions, strangers to one another, get teamed up in Darvonstone, where they must find the cure to the Wasting. But why does one of them seem to know more than they should about this strange world?
The Hive
How far would you go to protect your own?
How hard would you fight to defend your guild?
How much are you willing to sacrifice to avenge your hive?
Guarding the Pass
Krim is a player. That means he’s special. NPCs are just lines of computer data, capable of only doing what they are coded to do. Or are they?
What is Real, Anyway?
Two corporate headhunters watched their careers run aground after losing a fight with a brilliant tech recruit. Three years later, they’ve located her and vow revenge. But when they see she’s protecting far more than they imagined, will they help her succeed…or risk losing everything?
A Fairy Tail In Reverse
Who says that princesses always need saving?
Introducing MOHS 5.5: Megastructures!
“Few artists thrive in solitude and nothing is more stimulating than the conflict of minds with similar interests,” wrote the celebrated science fiction writer Arthur C. Clarke.
In these pages, a spectacular collection of science fiction authors – newcomers and veterans, bestsellers and debuts—clash thusly over one of Clarke’s most famous motifs: extreme feats of engineering.
Curated by Yudhanjaya Wijeratne, Mohs 5.5: Megastructures echoes a journey through hard science fiction that inspires, entertains, and, quite possibly, explores. From Sri Lanka, India, Australia, and North America come five-minutes-into-the-future efforts to detect alien life, great colonies in the void, homophobia in space, and a one-man army being endlessly 3D-printed and sent out to do battle among the stars.
Download this free glimpse into the future now and stimulate your mind.
Moving Around Again
Hi there. You’ll notice the blog looks a little different, which would be because we moved to a new website by way of BlueHost.com. I’m figuring out how to manage the blog’s appeareance now and I’ll be adding more links to books and so on as the days progress. Bear with me…I’m getting it done.
2017 Isn’t ‘1984’
2017 isn’t ‘1984’ – it’s stranger than Orwell imagined
John Broich, Case Western Reserve University
A week after President Donald Trump’s inauguration, George Orwell’s “1984” is the best-selling book on Amazon.com.
The hearts of a thousand English teachers must be warmed as people flock to a novel published in 1949 for ways to think about their present moment.
Orwell set his story in Oceania, one of three blocs or mega-states fighting over the globe in 1984. There has been a nuclear exchange, and the blocs seem to have agreed to perpetual conventional war, probably because constant warfare serves their shared interests in domestic control.
Oceania demands total subservience. It is a police state, with helicopters monitoring people’s activities, even watching through their windows. But Orwell emphasizes it is the “ThinkPol,” the Thought Police, who really monitor the “Proles,” the lowest 85 percent of the population outside the party elite. The ThinkPol move invisibly among society seeking out, even encouraging, thoughtcrimes so they can make the perpetrators disappear for reprogramming.
The other main way the party elite, symbolized in the mustached figurehead Big Brother, encourage and police correct thought is through the technology of the Telescreen. These “metal plaques” transmit things like frightening video of enemy armies and of course the wisdom of Big Brother. But the Telescreen can see you, too. During mandatory morning exercise, the Telescreen not only shows a young, wiry trainer leading cardio, it can see if you are keeping up. Telescreens are everywhere: They are in every room of people’s homes. At the office, people use them to do their jobs.
The story revolves around Winston Smith and Julia, who try to resist their government’s overwhelming control over facts. Their act of rebellion? Trying to discover “unofficial” truth about the past, and recording unauthorized information in a diary. Winston works at the colossal Ministry of Truth, on which is emblazoned IGNORANCE IS STRENGTH. His job is to erase politically inconvenient data from the public record. A party member falls out of favor? She never existed. Big Brother made a promise he could not fulfill? It never happened.
Because his job calls on him to research old newspapers and other records for the facts he has to “unfact,” Winston is especially adept at “doublethink.” Winston calls it being “conscious of complete truthfulness while telling carefully constructed lies… consciously to induce unconsciousness.”
Oceania: The product of Orwell’s experience
Orwell’s setting in “1984” is inspired by the way he foresaw the Cold War – a phrase he coined in 1945 – playing out. He wrote it just a few years after watching Roosevelt, Churchill and Stalin carve up the world at the Tehran and Yalta conferences. The book is remarkably prescient about aspects of the Stalinist Soviet Union, East Germany and Maoist China.
Orwell was a socialist. “1984” in part describes his fear that the democratic socialism in which he believed would be hijacked by authoritarian Stalinism. The novel grew out of his sharp observations of his world and the fact that Stalinists tried to kill him.
In 1936, a fascist-supported military coup threatened the democratically elected socialist majority in Spain. Orwell and other committed socialists from around the world, including Ernest Hemingway, volunteered to fight against the rightist rebels. Meanwhile, Hitler lent the rightists his air power while Stalin tried to take over the leftist Republican resistance. When Orwell and other volunteers defied these Stalinists, they moved to crush the opposition. Hunted, Orwell and his wife had to flee for their lives from Spain in 1937.
Back in London during World War II, Orwell saw for himself how a liberal democracy and individuals committed to freedom could find themselves on a path toward Big Brother. He worked for the BBC writing what can only be described as “propaganda” aimed at an Indian audience. What he wrote was not exactly doublethink, but it was news and commentary with a slant to serve a political purpose. Orwell sought to convince Indians that their sons and resources were serving the greater good in the war. Having written things he believed were untrue, he quit the job after two years, disgusted with himself.
Imperialism itself disgusted him. As a young man in the 1920s, Orwell had served as a colonial police officer in Burma. In a distant foreshadowing of Big Brother’s world, Orwell reviled the arbitrary and brutish role he took on in a colonial system. “I hated it bitterly,” he wrote. “In a job like that you see the dirty work of Empire at close quarters. The wretched prisoners huddling in the stinking cages of the lock-ups, the gray, cowed faces of the long-term convicts…”
Oceania was a prescient product of a particular biography and particular moment when the Cold War was beginning. Naturally, then, today’s world of “alternative facts” is quite different in ways that Orwell could not have imagined.
Big Brother not required
Orwell described a single-party system in which a tiny core of oligarchs, Oceania’s “inner party,” control all information. This is their chief means of controlling power. In the U.S. today, information is wide open to those who can access the internet, at least 84 percent of Americans. And while the U.S. arguably might be an oligarchy, power exists somewhere in a scrum including the electorate, constitution, the courts, bureaucracies and, inevitably, money. In other words, unlike in Oceania, both information and power are diffuse in 2017 America.
Those who study the decline in standards of evidence and reasoning in the U.S. electorate chiefly blame politicians’ concerted efforts from the 1970s to discredit expertise, degrade trust in Congress and its members, even question the legitimacy of government itself. With those leaders, institutions and expertise delegitimized, the strategy has been to replace them with alternative authorities and realities.
In 2004, a senior White House adviser suggested a reporter belonged to the “reality-based community,” a sort of quaint minority of people who “believe that solutions emerge from your judicious study of discernible reality.… That’s not the way the world really works anymore.”
Orwell could not have imagined the internet and its role in distributing alternative facts, nor that people would carry around Telescreens in their pockets in the form of smartphones. There is no Ministry of Truth distributing and policing information, and in a way everyone is Big Brother.
It seems less a situation that people are incapable of seeing through Big Brother’s big lies, than they embrace “alternative facts.” Some researchers have found that when some people begin with a certain worldview – for example, that scientific experts and public officials are untrustworthy – they believe their misperceptions more strongly when given accurate conflicting information. In other words, arguing with facts can backfire. Having already decided what is more essentially true than the facts reported by experts or journalists, they seek confirmation in alternative facts and distribute them themselves via Facebook, no Big Brother required.
In Orwell’s Oceania, there is no freedom to speak facts except those that are official. In 2017 America, at least among many of the powerful minority who selected its president, the more official the fact, the more dubious. For Winston, “Freedom is the freedom to say that two plus two make four.” For this powerful minority, freedom is the freedom to say two plus two make five.
John Broich, Associate Professor, Case Western Reserve University
This article was originally published on The Conversation. Read the original article.
The Smartest Ones in the Room: A Review of Hidden Figures
In 1961, America was all about the mission. A directive that sounds simple was but was anything but. The Space Race between the USA and the USSR was on. Both sides were engaged in a game of technological Can You Top This? and the Russians were winning. Cold War America was held in the grip of a simple fear. The Russians had already proved five years earlier that they could built a rocket capable of pushing an artificial satellite into orbit. The logic from there told us a simple story: If a satellite could be pushed that far that fast, then what was to prevent them from putting a nuclear bomb on the top of that rocket and flying it over to the US? World War II was only a decade and a half into history and the horror of Hiroshima and Nagasaki were fresh in American minds.
Into this setting we meet Katherine Johnson, Dorothy Vaughan, and Mary Jackson (played by Taraji P. Henson, Octavia Spencer, and Janelle Monae respectively), three black women who work as “computers” at NASA, calculating the trajectories for Project Mercury. They are part of the West Area Computers Group at NASA’s Langley Research Center in Hampton, Virginia. Despite their clear experience, talent, and proficiency with the work–and the ambition to improve their skills and experience–1961 Virginia is not an encouraging place. Despite making use of her skills, Johnson’s supervisor won’t allow her to put her name on the report she writes or attend briefings on mission updates. The local librarian would rather throw Vaughan out of the building than allow her to borrow a book on FORTRAN so she can learn about the newly installed IBM mainframe. And while she contributes to figuring out how to improve the quality of the Mercury capsule’s heat shield, Jackson can’t be trained or hired as an engineer without taking the advanced classes that are only available at a whites-only institution.
Hidden Figures is a movie about achievement and racism. History, until relatively recently, has tended to forget or ignore the stories of individuals who contributed significantly to our national success if they didn’t fit the narrative. It makes its point without being high-handed or manufacturing drama for the sake of a conflict. The setting provides conflict enough. 1961 Virginia was was a time and place where segregation was considered utterly normal, even banal. We’re shown this in a series of small but essential scenes on the NASA campus: Johnson’s most annoying problem isn’t her work load or her co-workers, it’s the fact to just going to the toilet entails a 40 minute trip from her office to the colored-only rest room on the other end of the compound. It’s not until her boss is made aware of this that he realizes just how insane the law is. His solution is to tear down the white-only signs from the building. Segregation doesn’t fit the Mission, so out it goes. Time is precious. Get back to work.
That’s really the point of the film: segregation doesn’t fit the national mission. It’s an archaic, emotional reaction to a shallow need to feel superior to those around us based on superficial differences. The decision to do away with it is one we never really made.
On that note, we could do worse than to encourage women and girls to get involved in determining our national mission.
So, be the smartest one in the room.
Be essential to the mission.
Demonstrate your ability, skill, and competence to the world.
And if the existing mission is detrimental to the country, then let’s create a new mission that isn’t.
In the meantime, make noise. Make them notice you. Make it clear to those who don’t value you that you must be valued. More importantly, show them why. Show them what you have done. Demonstrate your vision to anyone who will listen. Do it now.
Happy MLK Day. Go see this movie. Now.
We’re Back!
So you’ll remember a few weeks ago when this site disappeared for a few days, then a few days ago when it returned with nothing more current than 2008 posted on it. The short story is that ThirdScribe had a major problem with its ISP, and many of their sites (including mine) were sacrificed to save the rest of the network. Due to the tireless efforts of founder Rob McClellan, much of this site’s data and functionality have returned (Hooray!) I’ll be filling in the bits and pieces as we go forward but hey, posting again!
The Day After Publishing
As you’ll remember in our last exciting episode of The Rogue Scholar, I pushed the Publish button on Article 9, my first proper SciFi novel.
Since then, I’ve pushed the button on the Print-On-Demand version of the book as well, so if you shun electronics in favor of printed copy, you now have an option.
As you can imagine, the last few days have been most instructive.What have I learned so far from my experiment in self-publishing? Let’s make a list:
1. You do not know who your readers are. I have a reader in France, another in Canada, and two more in Denmark. The rest are from the US. I know who a few of them are because they basically told me, “Dude, I bought your book.” I can make an educated guess about a few more. Who are the rest? No idea. But I hope they enjoy the book.
2. Your followers are not your readers. Between all my social media accounts and my blog I have around 700 followers. I do not have 700 readers. Ironically, I have many more tools available to figure out who my followers are. This is a problem from a sales point of view.
3. Amazon reports sales numbers in real time. This is incredibly useful, but I can see how this can become an addiction, as one hits all the rounds of social media and then comes back to the reports portion of the Kindle Direct Publishing site. Each sale gets instantly translated to a new value, so it’s no hard thing to keep hitting that report button: how many have I sold now? How about now? How about now?
4. As vendors go, Amazon.com can be a royal pain. As publishers go, they can be a nightmare to deal with. Amazon is indeed a one-stop shopping site for self-publishers. But they don’t make it easy. The Kindle Direct Publishing account and CreateSpace accounts are different animals. They are not connected to one’s Amazon.com Author Central account unless you go through the process of making them that way. The good news is that there are plenty of resources available to walk you through the steps needed. But don’t think it’s just matter of hitting that publishing button and watching the machine roll on. You need to be a hands-on manager.
5. Amazon sets prices. The POD is sizable–about 500 pages worth of sizable–and while I wanted to set the price around $10 Amazon flat-out refused to do that. The price tag for the print book is a hefty $17.99, above the minimum but way more than I’d like. The truth is that I don’t foresee selling more than a handful of these items, but I thought the option should exist for folks who just don’t want an electronic version.
Those are the immediate lessons. There will be more. Stay tuned . . .
Next hurdle: review copies!
Get Article 9!
[book size=”150″ slug=”article-9″ purchase=”0″]